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Ironically, Bowie’s next move was to rev up Tin Machine, a back to basics rock quartet which was clearly his attempt at doing an Iggy & The Stooges in designer suits. Along with the dispatching of Mick Ronson and the soon-to-come excommunication of Carlos Alomar, it’s one of the saddest moments in Bowie’s career, the sudden close of a brotherly era. Pop and Bowie would never make another record together, would never again collaborate on songs. I didn’t even hear The Idiot or Lust For Life until Virgin reissued them on CD in 1990. In fact, that reminds me that I was seventeen at the time of Blah, and although I was certainly aware of the name Iggy Pop, really it was this album that served as my main introduction to the man. After the nadir of Never Let Me Down - Bowie’s hammy overlong sequel of sorts to the album he’d just made with Iggy - there were no more James Osterberg writing credits on a Bowie album, yet before that the Ig’s legal name was on four albums in a row if you count Blah-Blah-Blah.īlah marked a turn in Iggy Pop’s career, going from cult figure to telly regular and everybody’s favourite godfather of punk, but it’s also the end of a partnership that had begun in 1971, when Bowie first met Pop at Max’s Kansas City in New York, and which had created Iggy’s Raw Power, The Idiot, and Lust For Life, the later two Bowie-helmed masterpieces from 1977 finally set to receive long overdue super deluxe treatments later this year. His sobriety had given him a clearer head, and he now had a taste, at last, of commercial success, which bred in him a desire to succeed “on his own” and not as David Bowie’s occasional reclamation project. Part of it was related to a film project they didn’t see eye to eye on, but also The Ig must have intimated to The Dame to quit trying to help.
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Not only did the miscreant from Michigan still have that Lust For Life but he was set up for life.īut around 1987 the relationship cooled. Unfortunately, I think Jim took it personally, and that’s a shame because I would have liked to remain closer to him.”ĭavid Bowie interview with, 1999īowie’s success with his own version of China Girl six years after Iggy’s ostensibly provided the older man with his Pop pension fund. I completely understand-I really, really do. I’ve never talked to him about this and I probably shouldn’t talk to you about it… I think there was a moment where Jim decided that he couldn’t do a fucking article without my name being mentioned, and I don’t think that’s a very comfortable feeling. Not only did The Stooges reunite for a well-deserved victory lap in the 2000s, Iggy collaborated with Sum 41 and Peaches (2003’s Skull Ring), crooned seductively in French (2009’s Preliminaires), and teamed up with Queens of the Stone Age’s Josh Homme (2016’s brooding Post Pop Depression).“We have drifted away from each other, and in a way I understand why. Iggy Pop, Category: Artist, Albums: The Acid Lands, The Bowie Years, The Bowie Years: Live In ‘77, The Bowie Years: Edits + Out-Takes, Free, Singles: No Flag (en franais), Bitch, If You're Going to the City, Sonali, James Bond, Top Tracks: The Passenger, Lust For Life, Real Wild Child (Wild One), Candy, Nol D'Espoir, Biography: Widely acknowledged as one of the most dynamic stage. His reputation for cool intensified when “Lust For Life” anchored the cult-classic 1996 movie Trainspotting, kicking off a vibrant new career phase. Later, he linked up with David Bowie and collaborated on two seminal 1977 solo albums: The Idiot, which included the dark, Kraftwerkian “Nightclubbing,” and Lust For Life, featuring the galloping title track and the ominous “The Passenger.” In the ’80s and ’90s, Iggy ascended to alternative-rock royalty with the propulsive rocker “Real Wild Child (Wild One)” and the moodier “Candy,” the latter a duet with The B-52s’ Kate Pierson that became an unexpected hit single. The Stooges gave him a chance to take the spotlight, which he embraced with dangerous gusto Iggy’s antics, including writhing around shirtless onstage and cutting himself with glass, became the stuff of legend. In the mid-’60s, he took a low-key role in the Ann Arbor, MI, music scene, drumming for a band called The Iguanas-he derived his stage name from them, going first by Iggy Stooge and then Iggy Pop-and then a blues group called The Prime Movers. in 1947 kept reinventing himself and finding new ways to command attention. But after the legendary group broke up, the man born James Newell Osterberg Jr. Had Iggy Pop quit singing after fronting the late-’60s/early-’70s proto-punk garage-blues band The Stooges, history still would’ve considered him one of music’s most charismatic, unpredictable performers.